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An interactive reference for guitar chord shapes, voicings and the theory behind them.

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  1. Chords
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  3. D
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  5. 7

D dominant 7th (D7)

DRoot
F♯Maj 3
APerf 5
Cmin 7

Bluesy and driving. The backbone of blues and jazz. Creates strong tension that resolves to the tonic (V7→I progression).

Notes
DF♯AC
Formula
1 · 3 · 5 · ♭7
Type
Seventh chord
03

How to play it

EADGBe21312345

D7

D dominant 7th, Open

Bass
D, the root
Root
D
Strings
D G B e · open
  • DRoot
  • F♯M3
  • AP5
  • Cm7

Up the neck

6 voicings, same four notes

Why a dominant 7th chord sounds the way it does

D+4 fretsF♯+3 fretsA+3 fretsC

Stacked from 3 intervals. Compare with Dmaj7 →

04

Where to go next

More D chords

Same root, other colours

D9D13Dsus4Dmaj7

Chords in the key of D

What D7 usually sits next to

I · Dii · Emiii · F♯mIV · GV · Avi · Bmvii° · C♯°

Close relatives

Relatives of D major

  • BmRelative minor of D major
  • DmParallel minor, lower the 3rd

Other 7 chords

Same quality, every root

C7C♯7D7E♭7E7F7F♯7G7A♭7A7B♭7B7
01

Root

D
02

Quality

7

4 notes: a triad plus a 7th. Jazzier, wants to move.

Why a dominant 7th chord sounds the way it does

D+4 fretsF♯+3 fretsA+3 fretsC

Stacked from 3 intervals. Compare with Dmaj7 →

03

How to play it

EADGBe21312345

D7

D dominant 7th, Open

Bass
D, the root
Root
D
Strings
D G B e · open
  • DRoot
  • F♯M3
  • AP5
  • Cm7

Up the neck

6 voicings, same four notes
04

Where to go next

More D chords

Same root, other colours

D9D13Dsus4Dmaj7

Chords in the key of D

What D7 usually sits next to

I · Dii · Emiii · F♯mIV · GV · Avi · Bmvii° · C♯°

Close relatives

Relatives of D major

  • BmRelative minor of D major
  • DmParallel minor, lower the 3rd

Other 7 chords

Same quality, every root

C7C♯7D7E♭7E7F7F♯7G7A♭7A7B♭7B7
D dominant 7th