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An interactive reference for guitar chord shapes, voicings and the theory behind them.

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  1. Chords
  2. /
  3. E
  4. /
  5. 7

E dominant 7th (E7)

ERoot
G♯Maj 3
BPerf 5
Dmin 7

Bluesy and driving. The backbone of blues and jazz. Creates strong tension that resolves to the tonic (V7→I progression).

Notes
EG♯BD
Formula
1 · 3 · 5 · ♭7
Type
Seventh chord
03

How to play it

EADGBe2112345

E7

E dominant 7th, Open

Bass
E, the root
Root
E
Strings
E A D G B e · open
  • ERoot
  • G♯M3
  • BP5
  • Dm7

Up the neck

6 voicings, same four notes

Why a dominant 7th chord sounds the way it does

E+4 fretsG♯+3 fretsB+3 fretsD

Stacked from 3 intervals. Compare with Emaj7 →

04

Where to go next

More E chords

Same root, other colours

E9E13Esus4Emaj7

Chords in the key of E

What E7 usually sits next to

I · Eii · F♯miii · G♯mIV · AV · Bvi · C♯mvii° · D♯°

Close relatives

Relatives of E major

  • C♯mRelative minor of E major
  • EmParallel minor, lower the 3rd

Other 7 chords

Same quality, every root

C7C♯7D7E♭7E7F7F♯7G7A♭7A7B♭7B7
01

Root

E
02

Quality

7

4 notes: a triad plus a 7th. Jazzier, wants to move.

Why a dominant 7th chord sounds the way it does

E+4 fretsG♯+3 fretsB+3 fretsD

Stacked from 3 intervals. Compare with Emaj7 →

03

How to play it

EADGBe2112345

E7

E dominant 7th, Open

Bass
E, the root
Root
E
Strings
E A D G B e · open
  • ERoot
  • G♯M3
  • BP5
  • Dm7

Up the neck

6 voicings, same four notes
04

Where to go next

More E chords

Same root, other colours

E9E13Esus4Emaj7

Chords in the key of E

What E7 usually sits next to

I · Eii · F♯miii · G♯mIV · AV · Bvi · C♯mvii° · D♯°

Close relatives

Relatives of E major

  • C♯mRelative minor of E major
  • EmParallel minor, lower the 3rd

Other 7 chords

Same quality, every root

C7C♯7D7E♭7E7F7F♯7G7A♭7A7B♭7B7
E dominant 7th