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An interactive reference for guitar chord shapes, voicings and the theory behind them.

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  1. Chords
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  3. F
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  5. 7

F dominant 7th (F7)

FRoot
AMaj 3
CPerf 5
E♭min 7

Bluesy and driving. The backbone of blues and jazz. Creates strong tension that resolves to the tonic (V7→I progression).

Notes
FACE♭
Formula
1 · 3 · 5 · ♭7
Type
Seventh chord
03

How to play it

EADGBe1232212345

F7

F dominant 7th, Open

Bass
F, the root
Root
F
Strings
E A D G B e · open
  • FRoot
  • AM3
  • CP5
  • E♭m7

Up the neck

6 voicings, same four notes

Why a dominant 7th chord sounds the way it does

F+4 fretsA+3 fretsC+3 fretsE♭

Stacked from 3 intervals. Compare with Fmaj7 →

04

Where to go next

More F chords

Same root, other colours

F9F13Fsus4Fmaj7

Chords in the key of F

What F7 usually sits next to

I · Fii · Gmiii · AmIV · B♭V · Cvi · Dmvii° · E°

Close relatives

Relatives of F major

  • DmRelative minor of F major
  • FmParallel minor, lower the 3rd

Other 7 chords

Same quality, every root

C7C♯7D7E♭7E7F7F♯7G7A♭7A7B♭7B7
01

Root

F
02

Quality

7

4 notes: a triad plus a 7th. Jazzier, wants to move.

Why a dominant 7th chord sounds the way it does

F+4 fretsA+3 fretsC+3 fretsE♭

Stacked from 3 intervals. Compare with Fmaj7 →

03

How to play it

EADGBe1232212345

F7

F dominant 7th, Open

Bass
F, the root
Root
F
Strings
E A D G B e · open
  • FRoot
  • AM3
  • CP5
  • E♭m7

Up the neck

6 voicings, same four notes
04

Where to go next

More F chords

Same root, other colours

F9F13Fsus4Fmaj7

Chords in the key of F

What F7 usually sits next to

I · Fii · Gmiii · AmIV · B♭V · Cvi · Dmvii° · E°

Close relatives

Relatives of F major

  • DmRelative minor of F major
  • FmParallel minor, lower the 3rd

Other 7 chords

Same quality, every root

C7C♯7D7E♭7E7F7F♯7G7A♭7A7B♭7B7
F dominant 7th