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An interactive reference for guitar chord shapes, voicings and the theory behind them.

ChordsKeysScale Degree MapPath MapSource
  1. Chords
  2. /
  3. E
  4. /
  5. 6/9

E 6/9 (E6/9)

ERoot
G♯Maj 3
BPerf 5
C♯Maj 6
F♯9

Lush and bright. Combines 6 and add9. Very common in jazz as a substitute for major 7th chord.

Notes
EG♯BC♯F♯
Formula
1 · 3 · 5 · 6 · 9
Type
Added-tone chord
03

How to play it

EADGBe2213412345

E6/9

E 6/9, Open

Bass
E, the root
Root
E
Strings
E A D G B e · open
  • ERoot
  • G♯M3
  • BP5
  • C♯M6
  • F♯9

Up the neck

6 voicings, same five notes

Why a 6/9 chord sounds the way it does

E+4 fretsG♯+3 fretsB+2 fretsC♯+5 fretsF♯

Stacked from 4 intervals.

04

Where to go next

More E chords

Same root, other colours

Emaj7E7Eadd9E6Esus2Esus4Emaj9

Chords in the key of E

What E6/9 usually sits next to

I · Eii · F♯miii · G♯mIV · AV · Bvi · C♯mvii° · D♯°

Close relatives

Relatives of E major

  • C♯mRelative minor of E major
  • EmParallel minor, lower the 3rd

Other 6/9 chords

Same quality, every root

C6/9C♯6/9D6/9E♭6/9E6/9F6/9F♯6/9G6/9A♭6/9A6/9B♭6/9B6/9
01

Root

E
02

Quality

6/9

A triad plus one colour note, no 7th. Softer than a 7th.

Alterations need a 7th chord. Try E7 →

Why a 6/9 chord sounds the way it does

E+4 fretsG♯+3 fretsB+2 fretsC♯+5 fretsF♯

Stacked from 4 intervals.

03

How to play it

EADGBe2213412345

E6/9

E 6/9, Open

Bass
E, the root
Root
E
Strings
E A D G B e · open
  • ERoot
  • G♯M3
  • BP5
  • C♯M6
  • F♯9

Up the neck

6 voicings, same five notes
04

Where to go next

More E chords

Same root, other colours

Emaj7E7Eadd9E6Esus2Esus4Emaj9

Chords in the key of E

What E6/9 usually sits next to

I · Eii · F♯miii · G♯mIV · AV · Bvi · C♯mvii° · D♯°

Close relatives

Relatives of E major

  • C♯mRelative minor of E major
  • EmParallel minor, lower the 3rd

Other 6/9 chords

Same quality, every root

C6/9C♯6/9D6/9E♭6/9E6/9F6/9F♯6/9G6/9A♭6/9A6/9B♭6/9B6/9
E 6/9