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An interactive reference for guitar chord shapes, voicings and the theory behind them.

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  1. Chords
  2. /
  3. G
  4. /
  5. 6/9

G 6/9 (G6/9)

GRoot
BMaj 3
DPerf 5
EMaj 6
A9

Lush and bright. Combines 6 and add9. Very common in jazz as a substitute for major 7th chord.

Notes
GBDEA
Formula
1 · 3 · 5 · 6 · 9
Type
Added-tone chord
03

How to play it

EADGBe13fr4567

G6/9

G 6/9, 1fr

Bass
G, the root
Root
G
Strings
E A D G B e · open
  • GRoot
  • BM3
  • DP5
  • EM6
  • A9

Up the neck

6 voicings, same five notes

Why a 6/9 chord sounds the way it does

G+4 fretsB+3 fretsD+2 fretsE+5 fretsA

Stacked from 4 intervals.

04

Where to go next

More G chords

Same root, other colours

Gmaj7G7Gadd9G6Gsus2Gsus4Gmaj9

Chords in the key of G

What G6/9 usually sits next to

I · Gii · Amiii · BmIV · CV · Dvi · Emvii° · F♯°

Close relatives

Relatives of G major

  • EmRelative minor of G major
  • GmParallel minor, lower the 3rd

Other 6/9 chords

Same quality, every root

C6/9C♯6/9D6/9E♭6/9E6/9F6/9F♯6/9G6/9A♭6/9A6/9B♭6/9B6/9
01

Root

G
02

Quality

6/9

A triad plus one colour note, no 7th. Softer than a 7th.

Alterations need a 7th chord. Try G7 →

Why a 6/9 chord sounds the way it does

G+4 fretsB+3 fretsD+2 fretsE+5 fretsA

Stacked from 4 intervals.

03

How to play it

EADGBe1345673fr

G6/9

G 6/9, 1fr

Bass
G, the root
Root
G
Strings
E A D G B e · open
  • GRoot
  • BM3
  • DP5
  • EM6
  • A9

Up the neck

6 voicings, same five notes
04

Where to go next

More G chords

Same root, other colours

Gmaj7G7Gadd9G6Gsus2Gsus4Gmaj9

Chords in the key of G

What G6/9 usually sits next to

I · Gii · Amiii · BmIV · CV · Dvi · Emvii° · F♯°

Close relatives

Relatives of G major

  • EmRelative minor of G major
  • GmParallel minor, lower the 3rd

Other 6/9 chords

Same quality, every root

C6/9C♯6/9D6/9E♭6/9E6/9F6/9F♯6/9G6/9A♭6/9A6/9B♭6/9B6/9
G 6/9